I’m teaching two stage combat workshops in December: 1. Disarms: Disarms are a great way to end a fight without death or injury, but introduce their own risks due to changes in distance and potentially flying weapons. We’ll cover techniques for disarming swords, knives, and blunt objects ranging from the flashy (but unrealistic) to martially…
I’ve fallen behind on these posts (and on my reading) again. It’s hard to sustain setting aside time for such development when there are immediate demands (including a few stage combat gigs, thankfully!), but I believe it’s important. Important for me, personally, to keep growing through this particular challenge that I set out for myself…
The Kitchen Theatre’s production of “The Two Kids That Blow Shit Up” goes into previews on Sunday. I had the pleasure of working with Shannon and Cory on the moments of physicality and violence in the play, and was super impressed by their professionalism and talent. If you’re in Ithaca, go see it! https://www.kitchentheatre.org/the-two-kids
What do we do when we believe that people we disagree with are not only misguided, but evil, and a threat to our society, values, or even the world? If we believe that the depth of the threat excuses actions we would otherwise condemn (e.g., violence, humiliation, theft, separation of families), we are confronted with…
I’m teaching two stage combat workshops this month: 1. Moving like a Master: Brief intro/review of the basic attacks and parries with a sword, learn a simple sequence, then work on how to add physicality and nuances that convey different levels of skill/background. No experience necessary, some prior exposure to stage combat and familiarity with…
To promote this summer’s Ithaca Shakespeare shows, I wrote the following piece trying to share some context on the weapons we use on stage. One of the innovations of Renaissance drama was the recognition that scenes of physical conflict can convey a character’s virtues, foibles, or identity more vividly than words alone. In ancient…
The tournament in this summer’s production of Pericles may be the most complicated choreography we’ve done in our years of choreographing fights for Ithaca Shakespeare Company. While the text doesn’t even require the tournament to take place on stage, Director Steve Ponton always loves to give the audience a good fight, and we’re happy to…
